Download Thrift Shop (feat. Wanz) [Explicit]
The 51-year-old software test engineer talks about scoring the hook on Macklemore’s No. 1 hit. What’s next? An upcoming EP of his own.
It took only 45 minutes to change Michael Wansley’s life. The Seattle-based singer, known by his stage name Wanz, has found himself at the top of the charts with his bass-heavy credit on Macklemore and Ryan Lewis’ “Thrift Shop,” which has now enjoyed two weeks at No. 1 on the Hot 100.
Last July, the 51-year-old fielded a call from Street Level Records owner D-Sane who got word that the hip-hop duo was looking for a Nate Dogg sound-alike to guest on their future smash. Wanz, who had heard of Macklemore and Ryan Lewis but never sat with their music, headed to the studio to lay down his catchy refrain at 1 a.m. The session went so smoothly that he was in bed an hour later.
Here, the Lakewood, Wash. native discusses his history with music, rediscovering Macklemore and how he hopes to crack the charts on his own.
What’s your background in music? Music has always been a part of me. I’ve been singing for as long as I can remember. I was always in church choir, I was always in school choir. I was always singing, always singing every song on the radio. I went to Central Washington University where I was introduced to jazz. At that time, I had only known classical and pop stuff. And then I went and discovered jazz in college and I studied that for seven years and did pretty well at that.
How did you get linked with Macklemore and Ryan Lewis?
Through a strange twist, I got connected with a guy named D-Sane who is the owner of Street Level Records and he was doing underground hip-hop here in the North End of Seattle. One of his guys called me and asked me to sing a hook on one of his songs, and everybody dug it. That led to my career in singing hooks. So that same guy calls me on Monday night in July and asks if I’ve heard of a guy named Macklemore and I said I’d heard of him but I wasn’t familiar with the music. He was looking for a guy that sounds like Nate Dogg. For a decade, I’ve been known as the Nate Dogg of North End in Seattle in that little circle of underground hip-hop. He called me back like five minutes later and said they want to bring you in. So 45 minutes later I’m at the studio and meeting Ben and Ryan for the first time and talking about what my history is, Ghetto Monks this and my own originals and what I wanted to do. Ben showed me the hook for ‘Thrift Shop’ and said ‘Sort of like this.’ I sang a line to him and he said yeah, like that. I go in and get levels and 45 minutes later, I’m going home. Pretty quick, quicker than anybody imagined.
Are you surprised by the success of ‘Thrift Shop?’
[Laughs] No. When I left the studio after recording, we were all really just happy as clams. I don’t think those guys had ever been at that short of a session that had been done that well. After the video shoot, I actually went back into the catalog because I didn’t really know Macklemore. [It was] after the first video shoot that I went and downloaded “The Language of My World” and listened to “White Privilege” that I actually connected with him. There are a lot of commonalities in his story that I have. I found somebody who had that same passion, because I had never run into anybody like that before. But I never thought “Thrift” was going to be as big as it was, but then again I didn’t know that he had done all of this work.
What’s next for you? Are you talking with labels or looking to go on the road on your own? My game plan right now is to first and foremost get myself branded so that I have something. I have a six-song EP that I’m working on, it’s at the mixing stage, and I’m trying to get it all done so that I have it on a site where people can buy it by the time we go to Australia in February. I just can’t put all this attention (72 million views for “Thrift” on YouTube) and just sit at home, not when I’ve been dreaming the dreams I’ve had for all my life.
This is a shot that I get. You do what you’re supposed to do, and that is you put the product out there. I’ve been around so many bands, been around music for so long and watched so many people try and think they know what they’re doing and think this, that or the other. Now, it’s my turn. You only get one bite of this apple. At 51 years old, what are the odds that this is ever going to happen again? Pretty slim.
article via billboard.com